Best known for his tenure fronting the J. Geils Band, singer Peter Wolf was born and raised in the Bronx, and came from a family active in show business. His father was a dancer, song plugger, disc jockey, and singer of light opera; his mother, an organizer for the civil rights and labor movements, was a teacher for inner-city children in the Bronx. Wolf’s earliest passion was painting, and he was accepted on a scholarship to the Museum of Modern Art’s Special Studies for Children, and later to the High School of Music and Art, just blocks from the Apollo Theater, where the young Wolf would make weekly visits. Seeing performers like Jackie Wilson, Dinah Washington, Otis Redding, and James Brown sparked his early interest in blues and R&B. After graduating from high school, he hitchhiked through the Midwest; in Chicago, he became involved in a couple of blues and folk music societies while studying painting at the University of Chicago. While there, he visited the South Side blues clubs, drawing influences from the musicians he saw there.
With a grant to study at the Boston Museum School of Fine Arts, he became a disc jockey on WBCN-FM, hosting a show called The All-Night House Party. The show touched on many musical bases, and reflected Wolf’s own broad musical interests. While still in college in Boston, Wolf joined his first musical group, comprised of fellow art students. They played blues music, and later got to meet and tour with their heroes like John Lee Hooker and Muddy Waters. In 1967, he formed the group that would go on to become the J. Geils Band, which began playing clubs around New England. Their first big break was a chance to play at the Fillmore East in New York City, and they became known for their marathon live performances, with Wolf establishing a reputation as a particularly dynamic frontman. The group was signed to Atlantic Records by producer/impresario Jerry Wexler, and toured constantly over the next couple of years, performing as special guests with the Rolling Stones throughout the U.S. and Europe. At one of these concerts, Wolf met actress Faye Dunaway, whom he later married for a short time.
In 1983, the group was at the height of its popularity, and had gone 17 years without a personnel change. Finally, the bandmembers went their separate ways and Wolf went on to produce numerous film soundtracks and run art exhibits of his original paintings. In 1984, he released his first solo album, Lights Out, followed in 1987 by Come as You Are, which spurred the hit single of the same name. In between albums he worked on duets with Mick Jagger and Aretha Franklin, who recruited him specifically for her Who’s Zoomin’ Who album. In 1989, after a six-month songwriting retreat in Nashville, he recorded his third solo album, Up to No Good, which appeared the following year. In 1994, Wolf assembled a group of musicians and began playing clubs as a way to test out newer material on live audiences. It was the live feeling he so successfully captured on Long Line, his 1996 Reprise release. While on tour in 1997, Wolf met producer Kenny White, and together the pair recorded Fool’s Parade, which was released in 1998 on Mercury. It was selected by Rolling Stone magazine as one of the “50 most influential records of the decade.” In 1998, he toured with the Royal Soul Review, a star-studded gathering of soul artists including Lloyd Price, Chuck Jackson, Sam Moore, Ben E. King, Irma Thomas, Percy Sledge, Gene Chandler, and Jerry Butler. Soon after, Wolf was asked to record with blues great Little Milton. They worked at the famed Muscle Shoals Sound Studios and are featured on the Malaco album Welcome to Little Milton.
In 1999, J. Geils reunited for an end-of-the-century tour. Wolf reentered the studio with White and cut Sleepless for the Artemis label in 2002. This set, with guests including Mick Jagger, Keith Richards, and Steve Earle, was almost universally regarded as Wolf’s finest solo moment and garnered — again from Rolling Stone — the honor of being “one of the greatest 500 albums of all time.” In 2005, the J. Geils Band reunited once more for a special charity event to benefit the Cam Neely Cancer Foundation, Denis Leary’s Firefighters Association of New England, and Michael J. Fox’s Parkinson’s Disease Research Foundation. The band later reunited in 2009 for a short series of sold-out shows across the U.S.; Wolf claims they were more than likely their very last. He finally re-emerged from his own recording silence in 2010 with Midnight Souvenirs on Verve, co-produced with White; the pair enlisted duet help from Shelby Lynne, Neko Case, and one of Wolf’s true heroes, Merle Haggard.
The singer promoted the set on the major network late night shows, his own tour and with festival performances. The recording received universally favorable reviews and the single was played on AAA radio. He then resumed road work with J. Geils Band over the next couple of years playing the large summer outdoor sheds, while slowly beginning to work on new material.
When he was ready to record, Wolf enlisted members of his road band the Midnight Travelers that included keyboardist Kenny White, who acted as his co-producer. A Cure For Loneliness, marked Wolf’s debut for Concord. It included nine new originals (including “Wasting My Time”) and three covers–most notably a bluegrass reworking of the J. Geils Band hit, “Love Stinks.” It is slated for an April, 2016 release.
Ref: http://www.allmusic.com/artist/peter-wolf-mn0000682958/biography